Can You Sing AJR? Their Vocal Range Is A#2 to C5
Across the 4 AJR songs with researched vocal ranges in the HumMatch catalog, the sung notes run from A#2 to C5, about 26 semitones (roughly 2.2 octaves). Individual songs cover smaller slices of that range. Hum for 30 seconds and HumMatch ranks every AJR song by how singable it is for your actual voice.
The best AJR song for you depends on your Vocal ID, range comfort, and confidence level.
Derived from the 4 AJR songs with researched vocal ranges in the HumMatch catalog: the lowest and highest sung notes across those songs, in their original keys.
Not sure whether A#2 or C5 is in your voice? Hum a note and the note finder names it, or watch your pitch live with the pitch detector. Both are free and need no account.
Voice and range notes
HumMatch uses song-level range and difficulty data instead of assuming every AJR song fits one voice type.
What voice type is AJR?
AJR songs often fit best when the melody sits near your comfortable range and the chorus does not force strain.
Hardest and easiest AJR songs to sing
Ranked by how high the top note climbs and how much range each song covers, using the ranges on file for AJR songs. Estimated ranges are marked; treat those rankings as provisional.
Hardest to sing
Every AJR song on HumMatch (134)
Grouped by how each vocal range was sourced: researched note by note first, then estimated ranges (marked), then songs whose range research is still in the queue. Every title links to that song's full fit page.
Researched note by note (4)
| Song | Range | Difficulty |
|---|---|---|
| 100 Bad Days | A#2 to A#4 | moderate |
| Burn the House Down | C3 to A4 | moderate |
| Weak | D3 to C5 | moderate |
| Sober Up | D3 to A4 | moderate |
Estimated ranges (130)
| Song | Range | Difficulty |
|---|---|---|
| The Good Part | C#3 to A#4estimated | moderate |
| Karma | C#3 to A#4estimated | moderate |
| Come Hang Out | C#3 to A#4estimated | moderate |
| My Very First Love Song | C#3 to A#4estimated | moderate |
| The DJ Is Crying for Help | C#3 to A#4estimated | moderate |
| Piano in Your Pocket | C#3 to A#4estimated | moderate |
| Turning Out Pt. II | C#3 to A#4estimated | moderate |
| Thirsty | C#3 to A#4estimated | moderate |
| Classic | C#3 to A#4estimated | moderate |
| Birthday Party | C#3 to A#4estimated | moderate |
| Betty | C#3 to A#4estimated | moderate |
| The Plane That Never Lands | C#3 to A#4estimated | moderate |
| Snow | C#3 to A#4estimated | moderate |
| More Than Friends | C#3 to A#4estimated | moderate |
| Rainbow Man | C#3 to A#4estimated | moderate |
| Alice by the Hudson | C#3 to A#4estimated | moderate |
| Livin' on Love | C#3 to A#4estimated | moderate |
| Joe | C#3 to A#4estimated | moderate |
| Wow, I’m Not Crazy | C#3 to A#4estimated | moderate |
| Infinity | C#3 to A#4estimated | moderate |
| Touchy Feely Fool | C#3 to A#4estimated | moderate |
| Country House | C#3 to A#4estimated | moderate |
| God Is Really Real | C#3 to A#4estimated | moderate |
| Ordinaryish People | C#3 to A#4estimated | moderate |
| Finale (Can’t Wait to See What You Do Next) | C#3 to A#4estimated | moderate |
| Christmas in June | C#3 to A#4estimated | moderate |
| Pitchfork Kids | C#3 to A#4estimated | moderate |
| Chelsea Streets | C#3 to A#4estimated | moderate |
| The Big Goodbye | C#3 to A#4estimated | moderate |
| Inertia | C#3 to A#4estimated | moderate |
| Call My Dad | C#3 to A#4estimated | moderate |
| The World Is a Marble Heart | C#3 to A#4estimated | moderate |
| Humpty Dumpty | C#3 to A#4estimated | moderate |
| It’s On Us | C#3 to A#4estimated | moderate |
| AfterHours | C#3 to A#4estimated | moderate |
| Boomtown | C#3 to A#4estimated | moderate |
| Beats | C#3 to A#4estimated | moderate |
| Normal | C#3 to A#4estimated | moderate |
| My Calling | C#3 to A#4estimated | moderate |
| 212 | C#3 to A#4estimated | moderate |
| Mating Season | C#3 to A#4estimated | moderate |
| Steve’s Going to London | C#3 to A#4estimated | moderate |
| Buy You a Rose | C#3 to A#4estimated | moderate |
| Nothing in My Way | C#3 to A#4estimated | moderate |
| Adventure Is Out There | C#3 to A#4estimated | moderate |
| The Dumb Song | C#3 to A#4estimated | moderate |
| Woody Allen | C#3 to A#4estimated | moderate |
| Bud Like You | C#3 to A#4estimated | moderate |
| No Grass Today | C#3 to A#4estimated | moderate |
| Maybe Man | C#3 to A#4estimated | moderate |
| Big White Bed | C#3 to A#4estimated | moderate |
| I’m Ready | C#3 to A#4estimated | moderate |
| Growing Old on Bleecker Street | C#3 to A#4estimated | moderate |
| Big Idea | C#3 to A#4estimated | moderate |
| I Won’t | C#3 to A#4estimated | moderate |
| Role Models | C#3 to A#4estimated | moderate |
| A Dog Song | C#3 to A#4estimated | moderate |
| Go On Take a Chance | C#3 to A#4estimated | moderate |
| Three-Thirty | C#3 to A#4estimated | moderate |
| We the Cool Kids | C#3 to A#4estimated | moderate |
| Let the Games Begin | C#3 to A#4estimated | moderate |
| 50 States Away | C#3 to A#4estimated | moderate |
| The Bigwhig | C#3 to A#4estimated | moderate |
| 2085 | C#3 to A#4estimated | moderate |
| 3 O’Clock Things | C#3 to A#4estimated | moderate |
| 3AM | C#3 to A#4estimated | moderate |
| Hole in the Bottom of My Brain | C#3 to A#4estimated | moderate |
| The Entertainment’s Here | C#3 to A#4estimated | moderate |
| Next Up Forever | C#3 to A#4estimated | moderate |
| I’m Not Famous | C#3 to A#4estimated | moderate |
| The Green and the Town | C#3 to A#4estimated | moderate |
| The Trick | C#3 to A#4estimated | moderate |
| Turning Out Pt. iii | C#3 to A#4estimated | moderate |
| Don’t Throw Out My Legos | C#3 to A#4estimated | moderate |
| I’m Sorry You Went Crazy | C#3 to A#4estimated | moderate |
| Snowglobe | C#3 to A#4estimated | moderate |
| My Play | C#3 to A#4estimated | moderate |
| Netflix Trip | C#3 to A#4estimated | moderate |
| Turning Out | C#3 to A#4estimated | moderate |
| Yes I’m a Mess | C#3 to A#4estimated | moderate |
| Bummerland | C#3 to C5estimated | moderate |
| World’s Smallest Violin | C#3 to C#5estimated | higher-risk |
| Bang! | C#3 to C#5estimated | higher-risk |
| Way Less Sad | C3 to C5estimated | higher-risk |
| Break My Face | C#3 to C5estimated | moderate |
| Drama | C#3 to C5estimated | moderate |
| Dear Winter | C3 to B4estimated | moderate |
| (Quinn the Eskimo) The Mighty Quinn | F#2 to G#4estimated | easier |
| (Is Anybody Going to) San Antone | F#2 to G#4estimated | easier |
| "Ladies and Gentlemen, Bob’s Set Is Cut Short by a High Wind Alert" | F#2 to G#4estimated | easier |
| (Sittin' on) The Dock of the Bay (1990-08-18 George, WA) | F#2 to G#4estimated | easier |
| 'til I Get It Right | F#2 to G#4estimated | easier |
| (I Heard That) Lonesome Whistle (mx. co 70091-2) | F#2 to G#4estimated | easier |
| (Talk With Penn Jillette) | F#2 to G#4estimated | easier |
| "Hello friends" | F#2 to G#4estimated | easier |
| "We Hear You" | F#2 to G#4estimated | easier |
| (Talk With Liam Clancy) | F#2 to G#4estimated | easier |
| "But there’s plenty more to say on this subject" | F#2 to G#4estimated | easier |
| (It Makes) A Long Time Man Feel Bad | F#2 to G#4estimated | easier |
| (I Hear That) Lonesome Whistle | F#2 to G#4estimated | easier |
| 'Til I Fell in Love With You (3/6-10) | F#2 to G#4estimated | easier |
| "Like a Rolling Stone" Take 4 (6/16/1965) | F#2 to G#4estimated | easier |
| ‘Til I Fell in Love With You [1999-11-10: New Haven] | F#2 to G#4estimated | easier |
| (We’re Living On) Borrowed Time | F#2 to G#4estimated | easier |
| 'Til I Fell in Love With You (harmonica, 18/5-25) | F#2 to G#4estimated | easier |
| (I Heard That) Lonesome Whistle | F#2 to G#4estimated | easier |
| 'Til I Fell in Love With You (5 Apr.-07) | F#2 to G#4estimated | easier |
| (As I Go) Ramblin' 'round | F#2 to G#4estimated | easier |
| "Can You Please Crawl Out Your Window" Take 1 (7/30/1965) | F#2 to G#4estimated | easier |
| ‘’T’’ for Texas | F#2 to G#4estimated | easier |
| "So stay safe, see you soon, oh, yeah!" | F#2 to G#4estimated | easier |
| (Credits) | F#2 to G#4estimated | easier |
| (I heard that) Lonesome whistle blow | F#2 to G#4estimated | easier |
| (Just) A Closer Walk With Thee | F#2 to G#4estimated | easier |
| (Naomi Wise) Omie Wise (Riverside Church NYC, July 1961) | F#2 to G#4estimated | easier |
| ‘You Know How It Is’ | F#2 to G#4estimated | easier |
| 'Til I Fell in Love with You [2008-02-23: Dallas, TX] | F#2 to G#4estimated | easier |
| (I Heard That) Lonesome Whistle (1990-01-14 State College, PA) | F#2 to G#4estimated | easier |
| 'Til I Fell in Love With You | F#2 to G#4estimated | easier |
| (Mother in Law Jokes) | F#2 to G#4estimated | easier |
| (Good Old) Mountain Dew | F#2 to G#4estimated | easier |
| (Naomi Wise) Omie Wise | F#2 to G#4estimated | easier |
| (It Hurts Me Too) Who Loves You More | F#2 to G#4estimated | easier |
| (Talk) | F#2 to G#4estimated | easier |
| (Ghost) Riders In The Sky | F#2 to G#4estimated | easier |
| (Talk With Jimmy Kimmel) | F#2 to G#4estimated | easier |
| (Get Your Kicks on) Route 66 | F#2 to G#4estimated | easier |
| ’Cross the Green Mountain | F#2 to G#4estimated | easier |
| (Opening) | F#2 to G#4estimated | easier |
| (I Heard That) Lonesome Whistle (1990-01-12 New Haven, CT) | F#2 to G#4estimated | easier |
Is A#2 to C5 your range too?
31,803 songs in the HumMatch catalog fit entirely inside a A#2-C5 range.
If you can sing AJR, try these
Each of these artists' known ranges overlaps most of AJR's range (A#2 to C5), so songs that fit one voice tend to fit the others. Overlap is measured in shared semitones, estimated ranges are marked.
Group-friendly picks
Related artists
Compare your range to AJR's in 30 seconds
Three guided hums, about 30 seconds: you get your measured low note, high note, and voice type, and every AJR song ranked by how singable it is for your actual voice.
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AJR FAQ
Across the 4 AJR songs with researched vocal ranges in the HumMatch catalog, the sung notes run from A#2 to C5, about 26 semitones (roughly 2.2 octaves). Individual songs cover smaller slices of that range.
AJR songs often fit best when the melody sits near your comfortable range and the chorus does not force strain.
Ranked by top-note extremity and range span, 100 Bad Days is the most demanding AJR song on HumMatch: it runs A#2 to A#4.
Take HumMatch's free 30-second vocal range test to get your measured low note, high note, and voice type. Every AJR song is then ranked by how singable it is for your actual voice.