Cole Swindell Vocal Range: G#2 to F4, Voice Type & Songs
Across the 3 Cole Swindell songs with researched vocal ranges in the HumMatch catalog, the sung notes run from G#2 to F4, about 21 semitones (roughly 1.8 octaves). Individual songs cover smaller slices of that range. In their original keys, those songs sit closest to the baritone voice band. Hum for 30 seconds and HumMatch ranks every Cole Swindell song by how singable it is for your actual voice.
The best Cole Swindell song for you depends on your Vocal ID, range comfort, and confidence level.
Derived from the 3 Cole Swindell songs with researched vocal ranges in the HumMatch catalog: the lowest and highest sung notes across those songs, in their original keys.
Voice and range notes
HumMatch uses song-level range and difficulty data instead of assuming every Cole Swindell song fits one voice type.
What voice type is Cole Swindell?
Cole Swindell songs, in their original keys, sit closest to the baritone band (G2 to F4). Voice types are bands rather than exact labels, so neighboring types can often sing the same songs with small key changes. Source: 3 researched song ranges in the HumMatch catalog.
Sing in that zone yourself? Browse songs for baritone voices. baritone
Hardest and easiest Cole Swindell songs to sing
Ranked by how high the top note climbs and how much range each song covers, using the ranges on file for Cole Swindell songs. Estimated ranges are marked; treat those rankings as provisional.
Hardest to sing
Every Cole Swindell song on HumMatch (103)
Grouped by how each vocal range was sourced: researched note by note first, then estimated ranges (marked), then songs whose range research is still in the queue. Every title links to that song's full fit page.
Researched note by note (3)
| Song | Range | Difficulty |
|---|---|---|
| Middle of a Memory | F3 to F4 | easier |
| Break Up in the End | G#2 to F4 | easier |
| You Should Be Here | D3 to E4 | easier |
Estimated ranges (100)
| Song | Range | Difficulty |
|---|---|---|
| Lost Heart | D3 to F4estimated | moderate |
| No One Rocks Mine | D3 to F4estimated | moderate |
| Making My Way to You | D3 to F4estimated | moderate |
| I Just Want You | D3 to F4estimated | moderate |
| Reason to Drink | D3 to F4estimated | moderate |
| Swayin' | D3 to F4estimated | moderate |
| Down to Earth | D3 to F4estimated | moderate |
| All Nighter | D3 to F4estimated | moderate |
| Boomerang | D3 to F4estimated | moderate |
| Take Me Down | D3 to F4estimated | moderate |
| All of It | D3 to F4estimated | moderate |
| 20 in a Chevy | D3 to F4estimated | moderate |
| Dangerous After Dark | D3 to F4estimated | moderate |
| Ain’t Worth the Whiskey | D3 to F4estimated | moderate |
| Chillin' It | D3 to F4estimated | moderate |
| '99 Problems | D3 to F4estimated | moderate |
| Heads Up Heaven | D3 to F4estimated | moderate |
| Does It Hurt | D3 to F4estimated | moderate |
| Should’ve Ran After You | D3 to F4estimated | moderate |
| Blue Lights | D3 to F4estimated | moderate |
| Wild | D3 to F4estimated | moderate |
| Georgia (Ain’t on Her Mind) | D3 to F4estimated | moderate |
| Right Where I Left It | D3 to F4estimated | moderate |
| Get Me Some of That | D3 to F4estimated | moderate |
| Drinkaby | D3 to F4estimated | moderate |
| Walk on Whiskey | D3 to F4estimated | moderate |
| One Day | D3 to F4estimated | moderate |
| Miss Wherever | D3 to F4estimated | moderate |
| Spanish Moss | D3 to F4estimated | moderate |
| She Had Me at Heads Carolina | D3 to F4estimated | moderate |
| Broken | D3 to F4estimated | moderate |
| I’ll Be Your Small Town | D3 to F4estimated | moderate |
| Happy Hour Sad | D3 to F4estimated | moderate |
| Hope You Get Lonely Tonight | D3 to F4estimated | moderate |
| Somebody’s Been Drinkin' | D3 to F4estimated | moderate |
| How Is She | D3 to F4estimated | moderate |
| Stay Downtown | D3 to F4estimated | moderate |
| Dad’s Old Number | D3 to F4estimated | moderate |
| Down Home Boys | D3 to F4estimated | moderate |
| Beer in the Headlights | D3 to F4estimated | moderate |
| Kiss | D3 to F4estimated | moderate |
| Never Say Never | D3 to F4estimated | moderate |
| Girl Goes Crazy | D3 to F4estimated | moderate |
| The Back Roads and the Back Row | D3 to F4estimated | moderate |
| Girl Dad | D3 to F4estimated | moderate |
| Left to Get Right | D3 to F4estimated | moderate |
| A Dozen Roses and a Six-Pack | D3 to F4estimated | moderate |
| Dale Jr. | D3 to F4estimated | moderate |
| Sounded Good Last Night | D3 to F4estimated | moderate |
| First Second | D3 to F4estimated | moderate |
| Make Heaven Crowded | D3 to F4estimated | moderate |
| We Can Always Move On | D3 to F4estimated | moderate |
| Get Up | D3 to F4estimated | moderate |
| The Way You’re Lovin' Me Now | D3 to F4estimated | moderate |
| Six Pack Lines | D3 to F4estimated | moderate |
| I’m Gonna Let Her | D3 to F4estimated | moderate |
| Hey Y’all | D3 to F4estimated | moderate |
| My First Radio | D3 to F4estimated | moderate |
| Down to the Bar | D3 to F4estimated | moderate |
| You’ve Got My Number | D3 to F4estimated | moderate |
| Stereotype | D3 to F4estimated | moderate |
| Up | D3 to F4estimated | moderate |
| Longneck List | D3 to F4estimated | moderate |
| Someone Worth Missing | D3 to F4estimated | moderate |
| Party Wasn’t Over | D3 to F4estimated | moderate |
| Hoppin' | D3 to F4estimated | moderate |
| Remember Boys | D3 to F4estimated | moderate |
| It Don’t Hurt Anymore | D3 to F4estimated | moderate |
| Both Sides of the Mississippi | D3 to F4estimated | moderate |
| Workin' on Me | D3 to F4estimated | moderate |
| Shuttin' It Down | D3 to F4estimated | moderate |
| Home Game | D3 to F4estimated | moderate |
| 3 Feet Tall | D3 to F4estimated | moderate |
| Kill a Prayer | D3 to F4estimated | moderate |
| Her | D3 to F4estimated | moderate |
| Ready | D3 to F4estimated | moderate |
| Forever to Me | D3 to F4estimated | moderate |
| Wildlife | D3 to F4estimated | moderate |
| Flatliner | D3 to F4estimated | moderate |
| This Is How We Roll | D3 to F4estimated | moderate |
| Brought to You by Beer | D3 to F4estimated | moderate |
| Sayin' You Love Me | D3 to F4estimated | moderate |
| Sad Ass Country Song | D3 to F4estimated | moderate |
| Country Boy Can’t Survive | D3 to F4estimated | moderate |
| Let Me See Ya Girl | D3 to F4estimated | moderate |
| Bottom of It | D3 to F4estimated | moderate |
| Every Beer | D3 to F4estimated | moderate |
| Stars | D3 to F4estimated | moderate |
| Broke Down | D3 to F4estimated | moderate |
| Chevrolet DJ | D3 to F4estimated | moderate |
| The Ones Who Got Me Here | D3 to F4estimated | moderate |
| Gettin' Forgotten | D3 to F4estimated | moderate |
| No Can Left Behind | D3 to F4estimated | moderate |
| Drinkin' Hours | D3 to F4estimated | moderate |
| Roller Coaster | D3 to F4estimated | moderate |
| Dirty Dancing | D3 to F4estimated | moderate |
| Outta My Head | D3 to F4estimated | moderate |
| Single Saturday Night | G2 to G4estimated | higher-risk |
| Some Habits | G2 to G4estimated | higher-risk |
| Love You Too Late | G2 to G4estimated | higher-risk |
Is G#2 to F4 your range too?
3,940 songs in the HumMatch catalog fit entirely inside a G#2-F4 range.
If you can sing Cole Swindell, try these
Each of these artists' known ranges overlaps most of Cole Swindell's range (G#2 to F4), so songs that fit one voice tend to fit the others. Overlap is measured in shared semitones, estimated ranges are marked.
Group-friendly picks
Related artists
Compare your range to Cole Swindell's in 30 seconds
Three guided hums, about 30 seconds: you get your measured low note, high note, and voice type, and every Cole Swindell song ranked by how singable it is for your actual voice.
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Cole Swindell FAQ
Across the 3 Cole Swindell songs with researched vocal ranges in the HumMatch catalog, the sung notes run from G#2 to F4, about 21 semitones (roughly 1.8 octaves). Individual songs cover smaller slices of that range.
Cole Swindell songs, in their original keys, sit closest to the baritone band (G2 to F4). Voice types are bands rather than exact labels, so neighboring types can often sing the same songs with small key changes. Source: 3 researched song ranges in the HumMatch catalog.
Ranked by top-note extremity and range span, Somebody’s Been Drinkin' is the most demanding Cole Swindell song on HumMatch: it is estimated to run D3 to F4.
Take HumMatch's free 30-second vocal range test to get your measured low note, high note, and voice type. Every Cole Swindell song is then ranked by how singable it is for your actual voice.