Thalía Vocal Range: B2 to D5, Voice Type & Songs
Across the 9 Thalía songs with researched vocal ranges in the HumMatch catalog, the sung notes run from B2 to D5, about 27 semitones (roughly 2.3 octaves). Individual songs cover smaller slices of that range. Hum for 30 seconds and HumMatch ranks every Thalía song by how singable it is for your actual voice.
The best Thalía song for you depends on your Vocal ID, range comfort, and confidence level.
Derived from the 9 Thalía songs with researched vocal ranges in the HumMatch catalog: the lowest and highest sung notes across those songs, in their original keys.
Voice and range notes
HumMatch uses song-level range and difficulty data instead of assuming every Thalía song fits one voice type.
What voice type is Thalía?
Thalía's catalog covers about 27 semitones, wider than any single voice type. Check each song's range page instead of assuming one voice type fits the whole catalog.
Hardest and easiest Thalía songs to sing
Ranked by how high the top note climbs and how much range each song covers, using the ranges on file for Thalía songs. Estimated ranges are marked; treat those rankings as provisional.
Hardest to sing
Every Thalía song on HumMatch (100)
Grouped by how each vocal range was sourced: researched note by note first, then estimated ranges (marked), then songs whose range research is still in the queue. Every title links to that song's full fit page.
Researched note by note (9)
| Song | Range | Difficulty |
|---|---|---|
| Amor a la Mexicana | C3 to D5 | easier |
| Arrasando | C3 to D5 | moderate |
| El Sexto Sentido | C3 to D5 | higher-risk |
| Quién Soy | B2 to D5 | higher-risk |
| Con Poquito Que Me Des | B2 to D5 | higher-risk |
| No Me Enseñaste | B2 to D5 | higher-risk |
| Piel Morena | C3 to D5 | higher-risk |
| Gracias a Dios | C3 to D5 | higher-risk |
| Que el Ritmo No Pare | D3 to C#5 | easier |
Estimated ranges (91)
| Song | Range | Difficulty |
|---|---|---|
| No Me Acuerdo | C3 to D5estimated | higher-risk |
| María Mercedes | A#3 to G5estimated | moderate |
| Mujer Latina | C3 to D5estimated | higher-risk |
| María la del Barrio | C3 to D5estimated | higher-risk |
| Marimar | C3 to D5estimated | higher-risk |
| Desde Esa Noche | C3 to D5estimated | higher-risk |
| Equivocada | C3 to D5estimated | higher-risk |
| Tú y Yo | C3 to D5estimated | higher-risk |
| Entre el Mar y una Estrella | G3 to E5estimated | moderate |
| Noches sin Luna | C3 to D5estimated | moderate |
| Sangre | C3 to D5estimated | moderate |
| De Ti | C3 to D5estimated | moderate |
| Como Tú No Hay Dos | C3 to D5estimated | moderate |
| La Tierra de Nunca Jamás | C3 to D5estimated | moderate |
| A la Orilla del Mar | C3 to D5estimated | moderate |
| Bendita | C3 to D5estimated | moderate |
| Muñequita Linda | C3 to D5estimated | moderate |
| Lento | C3 to D5estimated | moderate |
| Saliva | C3 to D5estimated | moderate |
| Reencarnación | C3 to D5estimated | moderate |
| Habítame Siempre | C3 to D5estimated | moderate |
| Qué Ironía | C3 to D5estimated | moderate |
| Baby, I’m in Love | C3 to D5estimated | moderate |
| ¿A Quién le Importa? | C3 to D5estimated | moderate |
| Sabe Bien | C3 to D5estimated | moderate |
| Cien Años | C3 to D5estimated | moderate |
| Mundo de Cristal | C3 to D5estimated | moderate |
| Sangre Caliente | C3 to D5estimated | moderate |
| Pienso en Ti | C3 to D5estimated | moderate |
| Así Es el Destino | C3 to D5estimated | moderate |
| Qué Será de Ti | C3 to D5estimated | moderate |
| Ya Tú Me Conoces | C3 to D5estimated | moderate |
| Amore Mio | C3 to D5estimated | moderate |
| La Luz | C3 to D5estimated | moderate |
| Enséñame a Vivir | C3 to D5estimated | moderate |
| En la Fiesta Mando Yo | C3 to D5estimated | moderate |
| Manías | C3 to D5estimated | moderate |
| What’s It Gonna Be Boy? | C3 to D5estimated | moderate |
| Te Va a Doler | C3 to D5estimated | moderate |
| You Spin Me 'Round | C3 to D5estimated | moderate |
| Flor de Juventud | C3 to D5estimated | moderate |
| Regresa a Mí | C3 to D5estimated | moderate |
| Alguien Real | C3 to D5estimated | moderate |
| Te Perdiste Mi Amor | C3 to D5estimated | moderate |
| You Know He Never Loved You | C3 to D5estimated | moderate |
| Troca | C3 to D5estimated | moderate |
| Amor Prohibido | C3 to D5estimated | moderate |
| Sudor | C3 to D5estimated | moderate |
| Bésame Mucho | C3 to D5estimated | moderate |
| Llévame Contigo | C3 to D5estimated | moderate |
| No Hay que Llorar | C3 to D5estimated | moderate |
| Menta y Canela | C3 to D5estimated | moderate |
| Sube, Sube | C3 to D5estimated | moderate |
| Lágrimas | C3 to D5estimated | moderate |
| Por Lo Que Reste de Vida | C3 to D5estimated | moderate |
| I Want You | C3 to D5estimated | moderate |
| Seduction | C3 to D5estimated | moderate |
| Bebé, Perdón | C3 to D5estimated | moderate |
| Me Pones Sexy | C3 to D5estimated | moderate |
| Another Girl | C3 to D5estimated | moderate |
| Amar Sin Ser Amada | C3 to D5estimated | moderate |
| Un Pacto Entre los Dos | C3 to D5estimated | moderate |
| Será Porque Te Amo | C3 to D5estimated | moderate |
| Eres Mío | C3 to D5estimated | moderate |
| Lindo Pero Bruto | C3 to D5estimated | moderate |
| A Dream for Two | C3 to D5estimated | moderate |
| Rosas | C3 to D5estimated | moderate |
| Por Amor | C3 to D5estimated | moderate |
| Mojito | C3 to D5estimated | moderate |
| Me Erotizas | C3 to D5estimated | moderate |
| En la Intimidad | C3 to D5estimated | moderate |
| El Próximo Viernes | C3 to D5estimated | moderate |
| Quiero Hacerte el Amor | C3 to D5estimated | moderate |
| Todavía Te Quiero | C3 to D5estimated | moderate |
| Echa Pa’lante | C3 to D5estimated | moderate |
| Don’t Look Back | C3 to D5estimated | moderate |
| Amándote | C3 to D5estimated | moderate |
| Ten Paciencia | C3 to D5estimated | moderate |
| Closer to You | C3 to D5estimated | moderate |
| Misbehavin' | C3 to D5estimated | moderate |
| Estoy Enamorado | C3 to D5estimated | moderate |
| La Movidita | C3 to D5estimated | moderate |
| Sólo Parecía Amor | C3 to D5estimated | moderate |
| Save the Day | C3 to D5estimated | moderate |
| Toda la Felicidad | C3 to D5estimated | moderate |
| Un Sueño para Dos | C3 to D5estimated | moderate |
| Tranquila | C3 to D5estimated | moderate |
| Vuélveme a Querer | C3 to D5estimated | moderate |
| Seducción | C3 to D5estimated | moderate |
| Rosalinda | A3 to A5estimated | higher-risk |
| Cerca de Ti | G3 to D#5estimated | moderate |
Is B2 to D5 your range too?
33,730 songs in the HumMatch catalog fit entirely inside a B2-D5 range.
If you can sing Thalía, try these
Each of these artists' known ranges overlaps most of Thalía's range (B2 to D5), so songs that fit one voice tend to fit the others. Overlap is measured in shared semitones, estimated ranges are marked.
Group-friendly picks
Likely better when the room knows the hook.
Amor a la MexicanaLikely better when the room knows the hook.
Mujer LatinaLikely better when the room knows the hook.
María MercedesLikely better when the room knows the hook.
María la del BarrioLikely better when the room knows the hook.
MarimarLikely better when the room knows the hook.
Related artists
Compare your range to Thalía's in 30 seconds
Three guided hums, about 30 seconds: you get your measured low note, high note, and voice type, and every Thalía song ranked by how singable it is for your actual voice.
Search another artist or song
Jump to another artist vocal range guide or song-fit page.
Thalía FAQ
Across the 9 Thalía songs with researched vocal ranges in the HumMatch catalog, the sung notes run from B2 to D5, about 27 semitones (roughly 2.3 octaves). Individual songs cover smaller slices of that range.
Thalía's catalog covers about 27 semitones, wider than any single voice type. Check each song's range page instead of assuming one voice type fits the whole catalog.
Ranked by top-note extremity and range span, María Mercedes is the most demanding Thalía song on HumMatch: it is estimated to run A#3 to G5.
Take HumMatch's free 30-second vocal range test to get your measured low note, high note, and voice type. Every Thalía song is then ranked by how singable it is for your actual voice.