Both Sides of the Story [radio edit] by Phil Collins
Both Sides of the Story [radio edit] by Phil Collins is estimated around F#3 to D4, based on Phil Collins's typical range; song-level verification is pending. Measure your own range free to see how this song fits your voice.
Not sure whether F#3 or D4 is in your voice? Hum a note and the note finder names it, or watch your pitch live with the pitch detector. Both are free and need no account.
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Can I sing Both Sides of the Story [radio edit] at karaoke?
Both Sides of the Story [radio edit]'s 8-semitone span puts it in the top 99% widest ranges in pop songs HumMatch tracks.
Highest and lowest notes
The available song-fit estimate places the low note around F#3 and the high note around D4. If either edge feels tense, try a different key.
Vocal style
A bass would need to stretch for Both Sides of the Story [radio edit]'s peak note (D4), but it lands comfortably for a baritone.
Karaoke difficulty
A span in the top 99% widest for pop helps explain Both Sides of the Story [radio edit]'s 50/100 karaoke-difficulty score.
Who it likely fits
Transpose Both Sides of the Story [radio edit] down 2 semitones and the peak note fits a typical bass's comfortable range.
Who may struggle
HumMatch is still gathering enough data on this song for a deeper breakdown.
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Range Guide
Both Sides of the Story [radio edit] is estimated around F#3 to D4. Compare that with your Vocal ID before choosing the original key. If your comfortable high note is below the song’s hardest section, try a lower key or one of the safer alternatives below.
Perfect For These Voice Types
Comfort Range
Best when your Vocal ID overlaps the main melody without strain.
Best For
Road Trip
Shared playlist pick
Practice
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Karaoke Night
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Songs like Both Sides of the Story [radio edit] you can sing
Range labels come from HumMatch’s researched catalog. Take the free vocal range test to see your % on every one of these.
Easier alternatives
If it feels high, try a lower key or start with an easier song from the same artist or genre.
Explore by voice: More songs for D3-D4 voicesSongs for bass voice
Song fit FAQ
HumMatch estimates Both Sides of the Story [radio edit] at F#3 to D4 (about 8 semitones), based on Phil Collins's typical performed range; song-level verification is pending. Compare it against your own Vocal ID and test the chorus first.
Across the 1 Phil Collins song with researched vocal ranges on HumMatch, the sung notes run from E3 to E4, about 12 semitones (roughly 1 octave). See the full Phil Collins vocal range guide for voice type and the hardest songs.
Both Sides of the Story [radio edit] scores 50/100 for karaoke difficulty on HumMatch, which rates as easier. A span in the top 99% widest for pop helps explain Both Sides of the Story [radio edit]'s 50/100 karaoke-difficulty score.
A bass would need to stretch for Both Sides of the Story [radio edit]'s peak note (D4), but it lands comfortably for a baritone.
Transpose Both Sides of the Story [radio edit] down 2 semitones and the peak note fits a typical bass's comfortable range.
Both Sides of the Story [radio edit] may work at karaoke if the original key sits comfortably for you and you know where the risky chorus or low phrases happen.
Hum 3 notes in HumMatch and compare your Vocal ID against Both Sides of the Story [radio edit], safer alternatives, and higher-risk picks.
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