Can you sing Gone, Gone, Gone by Phillip Phillips?
Gone, Gone, Gone by Phillip Phillips is estimated around C3 to B4, based on Phillip Phillips's typical range; song-level verification is pending. Measure your own range free to see how this song fits your voice.
Estimated from the artist’s full range, which likely spans multiple singers or harmonies; the lead melody is probably narrower. Verification pending.
Not sure whether C3 or B4 is in your voice? Hum a note and the note finder names it, or watch your pitch live with the pitch detector. Both are free and need no account.
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We do not publish lyrics directly. Find a karaoke version on YouTube, then come back to compare the song against your Vocal ID.
Can I sing Gone, Gone, Gone at karaoke?
Few entries in indie pop songs HumMatch tracks stretch as wide as Gone, Gone, Gone: its 23-semitone span lands in the top 15%.
Highest and lowest notes
The available song-fit estimate places the low note around C3 and the high note around B4. If either edge feels tense, try a different key.
Vocal style
B4 is Gone, Gone, Gone's ceiling: out of a tenor's comfort zone, but well within an alto's.
Karaoke difficulty
Compared with the typical indie pop song HumMatch tracks, Gone, Gone, Gone scores less familiar for karaoke: 38/100 against a median of 50.
Who it likely fits
Much of Gone, Gone, Gone's 69/100 karaoke-difficulty rating traces back to a range in the top 15% widest for indie pop.
Who may struggle
Shift Gone, Gone, Gone's peak down 2 semitones and it lands inside a typical tenor's comfortable range.
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Range Guide
Gone, Gone, Gone is estimated around C3 to B4. Compare that with your Vocal ID before choosing the original key. If your comfortable high note is below the song’s hardest section, try a lower key or one of the safer alternatives below.
Perfect For These Voice Types
Balanced voices may find this approachable.
Best when your Vocal ID overlaps the main melody without strain.
Best For
Road Trip
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Karaoke Night
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Songs like Gone, Gone, Gone you can sing
Range labels come from HumMatch’s researched catalog. Take the free vocal range test to see your % on every one of these.
Easier alternatives
If it feels too low, too high, or too exposed, compare it against your Vocal ID for safer picks.
Explore by voice: More songs for D3-A4 voicesSongs for tenor voice
Song fit FAQ
HumMatch estimates Gone, Gone, Gone at C3 to B4 (about 23 semitones), based on Phillip Phillips's typical performed range; song-level verification is pending. Compare it against your own Vocal ID and test the chorus first.
HumMatch has not verified a researched vocal range for Phillip Phillips yet. Estimated ranges across 3 songs suggest roughly F#2 to C5 (roughly 2.5 octaves); treat that as an estimate until song-level research lands.
Gone, Gone, Gone scores 69/100 for karaoke difficulty on HumMatch, which rates as moderate. Compared with the typical indie pop song HumMatch tracks, Gone, Gone, Gone scores less familiar for karaoke: 38/100 against a median of 50.
B4 is Gone, Gone, Gone's ceiling: out of a tenor's comfort zone, but well within an alto's.
Much of Gone, Gone, Gone's 69/100 karaoke-difficulty rating traces back to a range in the top 15% widest for indie pop.
Gone, Gone, Gone may work at karaoke if the original key sits comfortably for you and you know where the risky chorus or low phrases happen.
Hum 3 notes in HumMatch and compare your Vocal ID against Gone, Gone, Gone, safer alternatives, and higher-risk picks.
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