Can You Sing Anne-Marie? Their Vocal Range Is G3 to E5
Across the 1 Anne-Marie song with researched vocal ranges in the HumMatch catalog, the sung notes run from G3 to E5, about 21 semitones (roughly 1.8 octaves). Individual songs cover smaller slices of that range. In their original keys, those songs sit closest to the mezzo-soprano voice band. Hum for 30 seconds and HumMatch ranks every Anne-Marie song by how singable it is for your actual voice.
The best Anne-Marie song for you depends on your Vocal ID, range comfort, and confidence level.
Singing Anne-Marie: the Vocal Profile
Anne-Marie sings like someone who spent years learning how to hit things precisely, which happens to be true: before the pop career she was a world class karateka with international medals, and the vocal style carries the same clipped, on-the-beat attack. The voice is bright, conversational and rhythm forward, closer to a drummer's phrasing than a balladeer's. Across the 1 song we have researched note by note, Ciao Adios, the sung notes run G3 to E5, a 21 semitone window that starts in solid chest voice and finishes on a genuinely high pop belt. Everything else in our catalog for her is estimated for now, and we will say so plainly as we go.
The public record fills in the arc. She came up as a featured voice, fronting Rudimental's live shows and then landing the vocal on Clean Bandit's Rockabye, one of the biggest UK singles of its decade. The solo run that followed, Alarm, Ciao Adios, Friends with Marshmello, and 2002, the nostalgia hit she wrote with Ed Sheeran, made her one of British pop's most reliable hook singers, and later a coach on The Voice UK. That resume tells you what the writing optimizes for: choruses a stadium can shout back, delivered by a voice that can cut through a dance production without oversinging.
Our difficulty data splits her small catalog into two clear shelves. Alarm and Friends carry estimated C3 to A4 ranges and moderate 55 ratings: tight, mid voiced, and honestly the friendliest entries here, both fitting the tenor band as written. Ciao Adios rates 55 as well, but earns it differently, through that researched E5 ceiling. Then the shelf jumps: 2002 carries an estimated C3 to D5 at 78, and Rockabye an estimated C3 to E5 at 84, our two hardest entries. Treat those estimated floors with some suspicion, since a C3 is low for a female pop lead and likely reflects backing figures or spoken pickups, but the tops are real work in any reading.
What the catalog demands is register agility more than raw range. Ciao Adios asks you to flip from chatty verse delivery around G3 into a sustained belt at the top of the staff, and the dance tracks demand you keep time like a percussionist: this is music where dragging the beat is a worse crime than a cracked note. Breath placement matters too, because the hooks repeat relentlessly and the tempo gives you narrow gaps to reload.
Voice type math, using our researched window as the map. Mezzo-sopranos are closest to home: G3 sits 2 semitones under the mezzo band floor of A3, and E5 tucks 1 semitone under the F5 ceiling, so either soften the two lowest notes or nudge the key up 2 and it is a clean fit. Altos have the opposite negotiation, with E5 sitting 2 over the alto top of D5: take the key down 2 and the whole researched range lands inside the band. Sopranos can move the mid voiced tracks up an octave, and our fit table shows exactly 2 songs, Alarm and Friends, working that way, though Ciao Adios at pitch serves sopranos fine since the E5 is comfortable altitude. Tenors get a genuine gift: Alarm and Friends fit the tenor band as written, no arithmetic required. Baritones and basses work per song; the fit table gives baritones 1 clean landing with an octave shift, so expect to pick keys by hand.
At karaoke these songs are younger crowd catnip. 2002 in particular has become a singalong standard for anyone who grew up on its decade of references, and Rockabye rooms will carry the chorus for you, which conveniently hides its 84 rating. Our advice: open with Ciao Adios if you have the E5, because it is the one song here where our numbers are researched rather than estimated, and it shows off everything this catalog asks for in three and a half minutes.
Written from the 1 song with researched vocal ranges on file, spanning G3 to E5. July 2026.
Derived from the 1 Anne-Marie song with researched vocal ranges in the HumMatch catalog: the lowest and highest sung notes across those songs, in their original keys.
Not sure whether G3 or E5 is in your voice? Hum a note and the note finder names it, or watch your pitch live with the pitch detector. Both are free and need no account.
Voice and range notes
HumMatch uses song-level range and difficulty data instead of assuming every Anne-Marie song fits one voice type.
What voice type is Anne-Marie?
Anne-Marie songs, in their original keys, sit closest to the mezzo-soprano band (A3 to F5). Voice types are bands rather than exact labels, so neighboring types can often sing the same songs with small key changes. Source: 1 researched song range in the HumMatch catalog.
Sing in that zone yourself? Browse songs for mezzo-soprano voices. mezzo-soprano
Every Anne-Marie song on HumMatch (5)
Grouped by how each vocal range was sourced: researched note by note first, then estimated ranges (marked), then songs whose range research is still in the queue. Every title links to that song's full fit page.
Researched note by note (1)
| Song | Range | Difficulty |
|---|---|---|
| Ciao Adios | G3 to E5 | moderate |
Easier songs
Start with familiar Anne-Marie songs that keep the chorus close to your comfortable range.
Is G3 to E5 your range too?
5,936 songs in the HumMatch catalog fit entirely inside a G3-E5 range.
If you can sing Anne-Marie, try these
Each of these artists' known ranges overlaps most of Anne-Marie's range (G3 to E5), so songs that fit one voice tend to fit the others. Overlap is measured in shared semitones, estimated ranges are marked.
Group-friendly picks
Compare your range to Anne-Marie's in 30 seconds
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Anne-Marie FAQ
Across the 1 Anne-Marie song with researched vocal ranges in the HumMatch catalog, the sung notes run from G3 to E5, about 21 semitones (roughly 1.8 octaves). Individual songs cover smaller slices of that range.
Anne-Marie songs, in their original keys, sit closest to the mezzo-soprano band (A3 to F5). Voice types are bands rather than exact labels, so neighboring types can often sing the same songs with small key changes. Source: 1 researched song range in the HumMatch catalog.
Higher-energy Anne-Marie songs or songs with big chorus jumps may be higher-risk without a key change.
Take HumMatch's free 30-second vocal range test to get your measured low note, high note, and voice type. Every Anne-Marie song is then ranked by how singable it is for your actual voice.